Sofia Crespo’s “Artificial Natural History” and “Neural Zoo” tasks painting “an imagined nature that has been rearranged.” They pose questions not solely in regards to the pure world but additionally in regards to the position machine studying and pc imaginative and prescient may play in artwork.
As Crespo explains on her web site, “our visual cortex recognizes the textures, but the brain is simultaneously aware that those elements don’t belong to any arrangement of reality that it has access to.“
Endless pure range by way of an AI lens
At first look, the work of Sofia Crespo’s neural community resembles illustrations of the likes of German naturalist Ernst Haeckel, one among a number of observers on the time who had to attract the pure world round him in a pre-camera age.
Looking nearer although, the work exhibited in Crespo’s “Artificial Natural History” is an amalgamation of pure components mixed to make one thing that appears at greatest like an optical phantasm, at worst like a monstrous mutation.
As Crespo explains, that is the purpose: “the specimens of the artificial natural history both celebrate and play with the seemingly endless diversity of the natural world, one that we still have very limited comprehension and awareness of,” she writes.
The work displayed right here, all from “Artificial Natural History”, significantly resembles one among Crespo’s different tasks, “Neural Zoo”, which additionally reimagines the pure world by way of the distorted lens of a neural community.
Crespo’s work — or that of the unreal intelligence (AI) as the WIPO would have us query — is acquainted and alien, lovely and grotesque, a lot in the identical means because the incredibly diverse pure world that surrounds us.
Neural networks enabling ‘new experiences of the acquainted’
Crespo writes that “starting from the level of our known reality, we could ultimately be digitizing cognitive processes and utilizing them to feed new inputs into the biological world, which feeds back into a cycle.”
“Routines in an artificial neural network become a tool for creation, one that allows for new experiences of the familiar,” she continues. “Can art be reduced to the remapping of data absorbed through sensory processes?”
Viewing the pure world by way of the lens of an AI makes us query how we view that very same panorama. What human biases will we stamp onto the natural world round us?